Wagnerian sopranos usually play mythic heroines

Dramatic soprano.
A dramatic soprano is a type of operatic soprano with a powerful, rich, emotive voice that can sing over, or cut through, a full orchestra.
Thicker vocal folds in dramatic voices usually (but not always) mean less agility than lighter voices but a sustained, fuller sound.
Usually this voice has a lower tessitura than other sopranos, and a darker timbre.
They are often used for heroic, often long-suffering, tragic women of opera.
Dramatic sopranos have a range from approximate ly low A (A3) to “high C” (C6).[1] Some dramatic sopranos, known as Wagnerian sopranos, have an exceptionally big voice that can assert itself over a large orchestra (of more than 80 or even 100 pieces).
These voices are substantial, often denser in tone, extremely powerful and, ideally, evenly balanced throughout the vocal registers.
Wagnerian sopranos usually play mythic heroines.
Successful Wagnerian sopranos are rare and often Wagnerian roles are performed by Italianate dramatic sopranos.[1] Contents.
1 Dramatic roles.
2 Wagnerian soprano roles.
3 See also.
4 Reference s.
5 External links .
Dramatic roles edit.
The following dramatic roles are for dramatic sopranos:[2] Abigaille, Nabucco (Verdi).
Amelia, Un ballo in maschera (Verdi).
Arabella, Arabella (Richard Strauss).
Ariadne, .

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Ariadne auf Naxos (Richard Strauss)

Cassandre, Les Troyens (Berlioz).
Chrysothemis, Elektra (Richard Strauss).
Elisabeth, Tannhäuser (Wagner).
Elsa, Lohengrin (Wagner).
Gioconda, La Gioconda (Ponchielli).
Helena, .

Die ägyptische Helena (Richard Strauss)

Die Kaiserin, .

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Die Frau ohne Schatten (Richard Strauss)

Leonore/Fidelio, Fidelio (Beethoven).
Maddalena, Andrea Chénier (Giordano).
Marie, Wozzeck (Alban Berg).
Minnie, .

La fanciulla del West (Puccini)

Odabella, Attila (Verdi).
Salome, Salome (Richard Strauss).
Santuzza, .

Cavalleria rusticana (Mascagni)

Sélika, .

L’Africaine (Giacomo Meyerbeer)

Sieglinde, Die Walküre (Wagner).
Turandot, Turandot (Puccini).
Valentine, .

Les Huguenots (Giacomo Meyerbeer)

Vanessa, Vanessa (Samuel Barber).
Wagnerian soprano roles edit.

The following Wagnerian soprano roles are for dramatic sopranos:[2] Brünnhilde

Die Walküre, Siegfried, Götterdämmerung (Wagner).
Elektra, Elektra (Richard Strauss).
Esclarmonde, Esclarmonde (Jules Massenet).
Isolde, Tristan und Isolde (Wagner).
The Wife, Die Frau ohne Schatten (Richard Strauss).
Senta, .

Der fliegende Holländer (Wagner)

Kundry, Parsifal (Wagner).
edit.
Opera portal.
Coloratura soprano.
Lyric soprano.
Soubrette.
Spinto soprano.
edit.

Notes ^ Coffin (1960)[page needed ]

^ Boldrey (1994)[page needed ]

Sources Boldrey, Richard (1994).

Guide to Operatic Roles and Arias

Caldwell Publishing Co mpany.
978-1-877761-64-5.
Coffin, Berton (1960).
Coloratura, Lyric and Dramatic Soprano, Vol.
1.
Rowman & Littlefield Publishers, Inc.
978-0-8108-0188-2.
External links edit.
Wagnerian soprano on YouTube, Birgit Nilsson as Brünnhilde in Götterdämmerung.
v.
t.
e.
Musical range or compass and register Vocal register Whistle.
Falsetto.
Modal.
Vocal fry.
Voice type Boy soprano.
Soprano Coloratura.
Soubrette.
Lyric.
Spinto.
Dramatic.
Soprano sfogato.
Mezzo-soprano.
Contralto (Alto).
Castrato.
Countertenor Sopranist.
Tenor Haute-contre.
Tenore contraltino.
Tenore di grazia.
Baritenor.
Baritone.
Bass-baritone.
Bass Basso profondo.
Sound Bass.
Sub-bass.
Treble.
Related articles Chest voice.
Clef.
Extension.
Head voice.
Passaggio.
Pedal tone.
Organ registration .
Tessitura.
Timbre.
Vocal range.
Vocal weight.
Retrieved from “https://en. wikipedia.o rg/w/index.php?title=Dramatic_soprano&oldid=943833346″ : Voice types.
Opera terminology .
Operatic sopranos.
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